– Euripides’ Ion, translated by W.S. Di Piero (1996)
Recalling what happened and how she felt when she was raped by Apollo, Creusa describes terror and helplessness – crying out for her mother, feeling her wrist seized in a powerful grip. She was carried to a hidden place, a cave known to Athenians as the Long Rocks. Overcome with shame, she told no one and returned in secret to the cave when her pregnancy came to term. She went into labor, a frightened girl, with no women to help, and bore a son. There is abundant detail in Creusa’s recollection that accords with the psychology of rape as it is understood today. She says, “you yoked me to darkness.”
At the same time, her memory includes awareness of cosmic power at work in the worst moment of her life, cementing bricks in a path determined by the Fates. Her son would bear sons who would become famous kings.
Rough handling of human beings by gods is a fundamental theme in Euripides. Heaven has its decrees, and mortals had better adjust. It isn’t personal (though the pain certainly is). Even the attacker in this case – a god of light, music, medicine – seems drafted into his role by still higher powers. And somehow, on a scale far above our concerns, there is beauty in the uses to which we are put – the sunburst in a god’s hair and the answering flowers in a maiden’s lap.
Photo: Statue of Apollo in the Belvedere courtyard, Pio-Clementino Museum, Vatican; via Wikipedia